Is Who's That Girl woke?

No political or woke messaging whatsoever. Focuses entirely on story, characters, fun, or escapism.

Wokeness Analysis

Who's That Girl (1987) is a straightforward screwball comedy centered on plot, character clashes, and physical humor with no discernible progressive social or political messaging. The story follows a working-class woman framed for murder who teams up with an uptight lawyer to clear her name, emphasizing personal agency, romance, and class-based comedy rather than any ideological agenda. Themes of innocence, revenge against corruption, and romantic transformation arise organically from the narrative without pushing representation, identity politics, or social commentary. Madonna's character embodies free-spirited energy and resilience typical of 1980s comedy heroines, while the villain is a generic corrupt businessman—standard fare without deeper critique of systems or power structures. Minor elements like a same-sex kiss among supporting characters appear as a one-off gag in the chaotic finale and do not drive or comment on the story. Released in 1987, the film predates modern woke frameworks and focuses entirely on entertainment, escapism, and comedic set pieces involving chases, animals, and wedding disruption. No indoctrination, forced diversity, or lecturing occurs; any class contrast serves laughs, not activism. Viewers seeking pure fun will find it unburdened by contemporary messaging.

Plot

In 1987's Who's That Girl, street-smart Nikki Finn (Madonna) is paroled after serving four years for a murder she did not commit. Tasked with escorting her out of New York, uptight tax lawyer Loudon Trott (Griffin Dunne) becomes entangled in her quest to clear her name and expose the real killers tied to a corrupt tycoon. Their chaotic day involves car chases, a escaped cougar, a zoo breakout, and wedding-crashing antics as they uncover evidence and fall in love. The film blends slapstick, romance, and 1980s pop energy in a classic fish-out-of-water screwball setup.