Is Onward woke?
Onward (2020)
Movie
Released: January 1, 2020
Wokeness Score
7/10
Strongly Ideological
Woke messaging is very prominent and often feels forced or shoehorned in. Characters and plot are primarily shaped to serve the ideology. Many viewers feel the agenda overshadows the entertainment.
Key Summary Points
- Includes Pixar's first openly gay character as a lesbian cyclops cop for subtle LGBTQ representation.
- Diverse mythical supporting cast reflects intentional modern inclusivity in fantasy setting.
- Family and emotional growth themes framed to support progressive views on acceptance and vulnerability.
Wokeness Analysis
Onward features noticeable progressive messaging through its inclusion of Pixar's first openly gay character, a lesbian cyclops police officer voiced by Lena Waithe, presented as a subtle yet intentional nod to LGBTQ representation in a family film. This element, while brief, was highlighted in pre-release marketing and drew criticism from conservative groups for injecting identity politics into children's entertainment. The film's modern suburban fantasy setting incorporates diverse supporting characters and mythical creatures in a way that feels like an effort to reflect contemporary inclusivity rather than organic world-building. Additionally, themes of family bonds and personal growth are framed in a manner that aligns with progressive values emphasizing emotional vulnerability and non-traditional family structures, with the single mother Laurel portrayed as capable and central. Conservative critiques note that these choices prioritize social commentary over pure escapism, making the story feel shaped to serve ideological points about acceptance and diversity in a post-modern fantasy world. The blink-and-you'll-miss-it nature of the gay character still serves as a calculated inclusion to appeal to progressive audiences, overshadowing the core brotherly adventure and father-son themes for many viewers fed up with such forced elements in Disney properties.
Plot
In a modern suburban fantasy world where magic has faded in favor of technology, teenage elf brothers Ian and Barley Lightfoot receive a magical staff from their late father on Ian's sixteenth birthday. The artifact allows them to bring their dad back for just twenty-four hours, but a spell mishap leaves only his lower half visible, forcing the brothers on a quest across town to find a rare crystal and complete the revival before time runs out. Along the way, they encounter a manticore, police officers, and other fantastical beings while learning lessons about brotherhood, courage, and cherishing family memories over lost magic.