Is Hairspray woke?
Hairspray (2007)
Movie
Released: January 1, 2007
Wokeness Score
7/10
Strongly Ideological
Woke messaging is very prominent and often feels forced or shoehorned in. Characters and plot are primarily shaped to serve the ideology. Many viewers feel the agenda overshadows the entertainment.
Key Summary Points
- Promotes racial integration via white protagonist leading black inclusion on TV dance show.
- Equates body size discrimination with racism, pushing fat acceptance alongside civil rights.
- Heavy-handed activist protest scenes and songs lecture on prejudice, caricature conservatives.
Wokeness Analysis
Hairspray (2007) is a vibrant musical adaptation that centers on progressive themes of racial integration, body positivity, and anti-prejudice activism set against the backdrop of 1960s Baltimore. The story follows Tracy Turnblad, a plus-sized white teenager who auditions for and joins the segregated Corny Collins Show, quickly becoming an advocate for ending racial segregation by pushing for black dancers like Seaweed and his sister to perform alongside whites beyond the token 'Negro Day.' This narrative arc positions Tracy as a white savior figure, leading the charge for civil rights through dance protests and marches, with black characters like Motormouth Maybelle (Queen Latifah) providing inspirational songs such as 'I Know Where I've Been' that underscore historical racial struggles. The film equates fatphobia faced by Tracy and her mother Edna with systemic racism, framing both as parallel oppressions overcome by feel-good integration and self-acceptance messaging. While the original 1988 John Waters film was more satirical and apolitical, the 2007 version amplifies the ideological elements from the Broadway musical, making social justice central to the plot. Villains like Velma von Tussle embody conservative racism and elitism, while conservatives and religious figures (e.g., Penny's mother) are caricatured as bigoted obstacles. Diversity is prominent with interracial friendships and romance normalized in upbeat numbers like 'You Can't Stop the Beat,' but the resolution feels contrived, resolving deep civil rights issues via a teen dance contest victory. Critics note the heavy-handedness, with plot and characters bent to serve the agenda—racial harmony achieved too easily without grappling with real historical complexities. For audiences weary of modern media's forced progressivism, this film's didactic undertones overshadow its entertainment, turning a fun dance story into a vehicle for indoctrination on inclusion and equity, where entertainment serves the message rather than vice versa.
Plot
Set in 1962 Baltimore, Hairspray follows Tracy Turnblad, a bubbly, overweight teenager obsessed with the local TV dance program, The Corny Collins Show, which features an all-white cast except for monthly 'Negro Day.' Auditioning and landing a spot despite her size, Tracy befriends black students Seaweed and Amber in detention, learning innovative dance moves. She challenges the show's segregation, sparking interracial friendships, a romance between her friend Penny and Seaweed, and protests against producer Velma von Tussle's racist policies. With help from her laundress mother Edna (John Travolta in drag), father Wilbur, and Motormouth Maybelle, Tracy organizes a march for integration during the Miss Teenage Hairspray contest. Through catchy songs, energetic dances, and comedic antics, the group triumphs, integrating the show in a celebratory finale. The film blends romance, family dynamics, and social activism in a colorful, high-energy musical format.